360 Camera Techniques

5 TIPS for 360 photos or 360 videos of FIREWORKS

5 tips to capture 360 photos or 360 videos of fireworks
From a video by Viajero360

Happy Independence Day to our readers in the U.S.!  Fireworks are beautiful, and 360 cameras are uniquely able to capture not just the fireworks but also the crowd’s reaction.  But in order to get good 360 photos or 360 videos of fireworks, you need to be aware of these techniques.  Here are 5 tips for taking a 360 photo or 360 video of fireworks.

1. Choosing a Camera

Some 360 cameras are better than others for shooting videos in low light.  As of July 2019, three of the best ones for low light video are the Insta360 One X (reviewed here)GoPro Fusion (reviewed here), and Ricoh Theta Z1 (reviewed here).  Between those cameras, the One X and Theta Z1 have manual exposure for both photos and videos.  For photos, my top choice is the Theta Z1, which has an adjustable aperture (for long exposures) and has large 1-inch sensors, which perform better in low light.

2. Location

Most 360 cameras, including all consumer 360 cameras, use fisheye lenses.  To get good detail, you’ll need to be close to the fireworks, otherwise, the fireworks will appear tiny in your 360 photo or video.

Here’s a video by 360 Rumors contributor Viajero360 where he was close enough to the fireworks at DisneyWorld, so the fireworks look great.  This video was shot with the Garmin Virb 360.

3. Tripod

Because you’ll be shooting with slow shutter speeds, you’ll need to avoid motion blur from camera shake.  360 camera stabilization will not negate motion blur.  Instead, you need a very stable tripod (not just a monopod with tripod legs).  Don’t worry about the tripod legs showing up in the photo or video since the action will be in the sky anyway, so the added stability is worth the tradeoff.

4. Exposure

For 360 videos, consumer 360 cameras vary in terms of their ISO and shutter speed.  As a starting point, try using exposure compensation to set the exposure so that the streetlights have discernible color (e.g. yellow) and aren’t simply blown out (white).  The shadows will appear dark but don’t worry about those — the focus is on the fireworks after all.  For Insta360 One X, use Shutter: Auto instead of Shutter: Fast, or use manual exposure to use ISO 800 and shutter speed of 1/30.  For the Z1, try an aperture of f/2.1, shutter speed 1/30, and ISO 800.

Taking 360 photos will be more challenging.  As a starting point, many photographers love to use long exposures for fireworks.  However, for most consumer cameras, the aperture is fixed at around f/2 or f/2.8, and there are no ND filters for consumer 360 cameras, which means you can’t use long exposures. For photos, set ISO to 100, and the shutter speed to around 1/2 second (if your camera’s aperture is f/2) or 1 second (if you’re at f/2.8).   If your camera has a lower ISO, or if you are using the Theta Z1 with adjustable aperture, you can try a slower shutter speed.

5. Should you use a 360 camera for fireworks?

Consider that in some cases, a 360 camera may not always be the best tool for taking a photo or video of fireworks.  First of all, the fireworks may be too distant for the fisheye lenses of your 360 camera, in which case, the fireworks will appear tiny in your photo or video.  Second, you have less control of the exposure compared to a traditional camera where you can control the aperture.

BONUS TIP: Here’s a bonus tip from Mark.

I’ll update this post with the photos and videos I get tomorrow.  Meanwhile, check out this amazing aerial 360 video by the wizards at AirPano:

About the author

Mic Ty

2 Comments

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  • 6. And watch your lenses!

    I have been filming fireworks with wide angles for many years. One of the biggest problems is that fireworks don’t just produce smoke, they also produce fine little splashes of combustion residue. These fly very far in the air and will surely sit on your fisheye lenses. 1-2 are enough to destroy the lens, because these splashes are often very stubborn and cannot be removed anymore. Really bad. And, as Mic writes, you want to get close to the fireworks to make it worth it. Near means that the splashes reach you more easily…

    Although I like to film fireworks very much, I have only filmed distant ones in 360/180VR.